Swiff it good – the music industry in chaos

  • Devo re-records their biggest hit “Whip it good” as “Swiff it good” in a TV ad for the floor cleaner Swiffer.
  • The Beatles song “All you need is love” is licensed by Luvs who use it for their campaign, “All You Need is Luvs”
  • “Blister In the Sun ” by the Violent Femmes, a seminal punk bank, is used in an ad campaign for Wendy’s hamburgers.
  • This summer Wilco licenses 6 songs from their new album Blue Sky Blue to Volkswagen who use all 6 songs in ad spots for their latest campaign marking the first time a multitude of songs by one artist/band is used in a single campaign.

Where is today’s cash cow for the music business? It’s the placing of famous or upcoming pop songs in TV commercials. We’ve all heard and seen these ads. Led Zepplin’s “Rock’n Roll” has become the main branding vehicle (no pun) for Cadillac. The ad speaks to those 40-year-olds that can now afford Cadillacs by co-opting an anthem from their youth.

There’s no doubt the trend will continue. Commercial jingles are a thing of the past. Today’s ad strategy is about branding. You put a product, no matter how bland, next to a song that has some “coolness” factor to it, or, in the case of the Beatles “All You Need is Love”, acknowledged cultural value, and voila, the product achieves instant significance or even hipness.

But by glorifying a product, no matter how banal, the song is immediately devalued. If today’s protest song can be tomorrow’s theme for toilet tissue, then the power of a song to effect culture becomes weakened. The power of the song becomes about how much money it commands when it is licensed for commercial use.

The Culture Is the Commercial

Jay Babcock, the publisher of the art and music magazine Arthur makes this point…

“What kind of culture sets up a system where the only way to hear good music is through TV commercials for products you don’t need?” Babcock said. “What little art is out there has to sneak in wherever it can, being stand-ins for jingles. It’s the sign of an unhealthy culture. The culture is eating itself.”

A recent New York Post article reports that the recording artist Fergie recently inked a $4-million deal to sing about Candie’s teen apparel on her next album. “The 32-year-old Black Eyed Peas singer is the first global star to consent to product placement in her songs – agreeing to include the provocative clothing line Candie’s in her lyrics.”

I don’t know that this matters to some bands, they are living in a music business that is sinking into chaos by the day and they are looking for cash, a reward for their work. When Wilco, a major act, licenses 6 songs to Volkswagen saying they are doing it as a way to get their music out there, you know the music business has drastically changed and these artists are looking for the type of payday that used to be available to successful bands through albums/radio play/touring. That old model of success is, apparently, broken.

According to Greg Lane, senior vice president of ad agency GSD&M in Austin, Texas, ad pop it is a mutually beneficial relationship. “It’s a marriage of two brands. It’s the client’s brand, be it AT&T or iPod, as well as the brand of the band itself,” Lane said.

“Part of the deal is, you’re never going to make everyone happy. And there’s no such thing as bad press. Even if fans are upset, it might not affect sales of what’s being advertised “it might increase sales.”

The artist does pay a price for dealing in “ad pop”. Their fan base can get turned off and look for music elsewhere.

As the respected musician Tom Waits says “By turning a great song into a jingle, advertisers have achieved the ultimate: a meaningless product has now been injected with your meaningful memory of a song,” he said. “The songs and the artists who have created them have power and cultural value, that’s why advertisers pay out millions for them. Once you have taken the cash, you, your song and your audience are forever married to the product.”


Wilco song in Volkswagen commercial


Of Montreal song “Wraith Pinned To The Mist And Other Games” re-recorded with the words changed to “Let’s go Outback tonight” for Outback Steakhouse

More on this subject…
The Pop Song In Advertising

Where have all the jingles gone?

Ad spots coming to YouTube this summer

Revenue sharing is indeed coming to YouTube. Red Herring Magazine says YouTube will begin experimenting with pre-roll and post-roll video ads this summer.

Suzie Reider, head of advertising for YouTube, told an audience at the Ad:Tech conference in San Francisco last week that, “we’re looking at executions like a very quick little intro preceding a video, then the video, then a commercial execution on the backside of the content.”

The revenues will be shared with YouTube’s “premium” content creators. In other words, not every video on the site will have advertising attached and not everyone who has uploaded a video will partake in revenues generated by the ads.

Sharing revenue with major content creators is a big step towards solving part of the copyright infringement problem for Google and YouTube. Another problem, that of broadcasting content without the permission of the copyright holder, is being addressed by technology like the new Claim Your Content filter that is supposedly close to being launched on the site.

Where have all the Jingles gone?

In this month’s newsletter, I talk about jingles – those little tunes composed specifically to sell products on TV. Jingles are all but are dead now, you hardly ever hear one. This article examines why. Was there a selling power that jingles had that today’s commercials lack?

Excerpt…

There was a time when TV advertisers packaged their marketing messages within the lyrics and melodies of songs written specifically for ad campaigns.  The songs came to be known as jingles because they were catchy, singable tunes. Today, this form of advertising has essentially disappeared from American commercials.

Advertisers now are more sophisticated. The jingle is seen as a corny, throwback to a time when viewers would accept a sing-songy tune written about a product. 

These days advertisers seek to position their product within the “lifestyle” of their target market. The task is to create an ad campaign that reflects this lifestyle.  Commercials today often don’t even mention the product, you just see happy people using it, hopefully dressed the way you do. The implication is; they use it – you should use it too.

Read the complete article