Court’s DMCA interpretation everything for YouTube

Florence-Marie Cooper, the judge in the Robert Tur vs YouTube/Google copyright infringement lawsuit has dismissed motions by both sides for a summary judgement in the case. Her ruling is that more evidence is necessary to determine if YouTube is protected from liability by the Digital Millennium Copyright Act.

As so many have now said, the copyright infringement cases against YouTube are going to come down to this - Is YouTube protected by the DMCA?.

Here are excerpts of her reasoning and decision…
I find it fascinating to see this play out, for a quick synopsis, read her final paragraph.
—————————————-
United States Disctrict Court
Central District of California

Robert Tur d/b/a Los Angeles News Service (Plaintiff)
vs
YouTube, Inc. (Defendant)

YouTube’s Motion
YouTube’s ultimate eligibility for “safe harbor” protection depends upon whether YouTube can prove that it satisfies certain threshold elements common to all of the safe harbor provisions.

YouTube must prove that:

  • 1. it has adopted and reasonably implemented a termination policy for subscribers and account holders who are repeat infringers,
  • 2. accommodates and does not interfere with “standard technical measures” that copyright owners use to protect their works,
  • 3. its infringement is “by reason of the storage at the direction of a user of material that resides on a system or network controlled or operated by or for the service provider”,
  • 4. it lacked actual knowledge of the infringing material or was not aware of facts or circumstances from which infringing activity was apparent on its system or network and/or acted expeditiously to remove or disable access to the material upon obtaining such knowledge or awareness,
  • 5. it did “not receive a financial benefit directly attributable to the infringing activity,” if it had “the right and ability to control such activity”,
  • 6. it responded expeditiously to remove or disable access to infringing material upon notification from the copyright owner, and
  • 7. it has properly designated an agent to receive such notification.
  • YouTube maintains it does not receive a financial benefit directly attributable to the allegedly infringing activity and that it does not have the right or ability to control said activity. As the statute makes clear, a provider’s receipt of a financial benefit is only implicated where the provider also “has the right and ability to control the infringing activity”.

    As such, if YouTube does not have the right and ability to control the alleged infringing activity, the Court need not engage in the “financial benefit analysis.”

    The “right and ability to control” infringing activity, as the concept is used in the DMCA, has been held to mean “something more” than just the ability of a service provider to remove or block access to materials posted on its website or stored in its system. Rather, the requirement presupposes some antecedent ability to limit or filter copyrighted material.

    There is insufficient evidence regarding YouTube’s knowledge and ability to exercise control over the infringing activity on its site. There is clearly a significant amount of maintenance and management that YouTube exerts over its website, but the nature and extent of that management is unclear. YouTube also asserts that while it is able to remove clips once they have been uploaded and flagged as infringing, its system does not have the technical capabilities needed to detect and prescreen allegedly infringing videotapes. However, there is insufficient evidence before the Court concerning the process undertaken by YouTube from the time a user submits a video clip to the point of display on the YouTube website. Thus, there is insufficient evidence from which the Court can determine YouTube’s right and ability to control the infringing activity.

    Conclusion
    Accordingly, the Court DENIES YouTube’s motion
    June 20, 2007

    —————————————-

    Thus, the great debate is layed out. What makes it difficult is that clearly YouTube is in compliance with some safe harbor aspects of DMCA. If you look at the 7 provisions, as stated by Judge Cooper, I think YouTube is in compliance with 1,2,3,7 and maybe 6 (though that can be argued). Where YouTube is not in compliance, to me, and this is the main infringment argument, is provision 4 and 5.

    4) YouTube lacked knowledge of the infringing material and
    5) YouTube did not receive financial benefit from the infringing material.

    That part of the DMCA case will be hard for YouTube to make.

    Technorati , , , , , , ,

    1 Comment : 06.26.07

    Royalty free music licensing questions

    Some licensing questions that have come up lately….

    Q: The ownership rights to a product I have developed using UniqueTracks music are being bought-out by another company. How is the music licensing affected? Is the UniqueTracks music license transferred with all ownership rights for the product?

    A: No, not immediately. In order for the company that is buying out your product to have full rights to the UniqueTracks soundtrack used within, they too will have to purchase a license for the specific tracks.

    Q: I am a freelance designer and I’m creating a Flash production for a client. How does your license agreement work when the music I choose becomes part of the client’s production?

    A: The company that ends up owning the project should be the licensee for any tracks you choose from the UniqueTracks Production Music Library.

    Tip: If are a freelance designer, you can use the “Bill to” address for the company address (the owner of the project) and use the “Ship to” address for your address when purchasing music online from our website.

    Did you know we can provide free low-resolution preview tracks for your presentation to the client if you require it. Upon approval by the client, you can then purchase the licensing and the full-resolution tracks.

    Technorati , , , , , ,

    0 Comments : 06.11.07

    New Horizons for Royalty Free Music

    I’m happy to announce that UniqueTracks has just released two new CD collections.

    Both collections were produced by UK composer/producer Simon Wolfe. Ambient, chilled and downtempo styles flavor most of Simon’s tracks.

    New Horizons - Upbeat and Winning Soundtracks for Success
    New Horizons royalty free music CD collection

    The New Horizons collection creates an upbeat atmosphere and will contribute well in productions dealing with love, children, motivation, success and happiness. Tracks are light and cheerful providing an optimistic, positive vibe.

    Shades of Romance - Dreamy Dramatic & Sensual
    Shades of Romance royalty free music collection

    Use the Shades of Romance collection for tender or intimate soundtracks that need a light, somewhat dreamy underscore. We tried to cover love and romance from a lot of different perspectives with soundtracks that evoke love and devotion but also desire, longing, sensuality.

    Technorati , , , ,

    0 Comments : 06.11.07